Thursday, November 26, 2009

Awesome! -- Philips explores LED Tattoos

Found this clip from Wired. Awesomely futuristic. It won't take long for something like this will be featured in futuristic movies. And it won't take longer after that for it to be commercially available, at the rate things are going these days.

Watch it!




Wednesday, November 25, 2009

The Challenge: Building the Future Agency

Here's an article from iMedia that challenges the way traditional agencies are structured and how they work, and describes how the "digital agency of the future" should be. Read on:

The skills digital agencies will need to lead

November 23, 2009

ARTICLE HIGHLIGHTS:

  • The digital age is typified by the advent of two-way communication channels and greater control over the timing of media
  • The digital agency is built for rapid concepts, creation, and implementation
  • When thinking about the pace of media's growth and change, the ability to deliver today while experimenting for the future becomes an essential attribute

Next in Media Planning & Buying

Here are the facts:

  • Overall advertising budgets are down.
  • Marketers are shifting much of the remaining budget to digital media.
  • Money that used to be set aside for things like sales enablement, website development, and so forth are now falling, more correctly, into the category of marketing. Specifically, content marketing. And that content is overwhelmingly digital.

Whether or not larger, traditional agencies will be able to adapt to the speed and new media in today's digital world -- via retooling or buying new talent -- is a subject of much recent debate. But this isn't the focus of this article, because what's more important are the attributes needed for any agency to succeed in this digital marketing world, regardless of size, location, or heritage.

Successful digital agencies are proficient in these four basic attributes:

  • Ecosystem structure
  • Knowledge/Tech Ability/Experimentation
  • Pricing/Billing structure
  • Speed of response

Ecosystem structure
In the traditional marketer/ agency relationship, there are many rigid roles, boundaries, and rules. But none are bigger than who owns and pushes the marketing plan. The thought process of old was that the ad agency had more expertise to own the brand than the company. And that model worked pretty well -- when media were limited, communication was one-way, and media-buy lead times were long and hard to change.

But the digital age is typified by two game-changing shifts:

  • the advent of myriad new media (the web, mobile, desktop, social media, etc.) that are two-way communication channels.
  • much greater control over timing of media buys and posting (think Google AdWords over upfronts).

In light of those shifts, far too much control would be given up by the marketer by entering into a traditional marketer/agency relationship. So, as Marty Neumeier writes in "The Brand Gap," "It takes a village to build a brand." Though, in this case, that village is now an ever-evolving roster of in-house experts, execs, and marketing folks who lean on out-of-house experts -- such as strategy consultants, design firms, and research companies -- working in concert to market a brand; in other words, a marketing ecosystem.

Like many digital agencies, my agency started as a specialty consultancy, which means we were working as an extension of internal marketing teams -- not as outside agency soothsayers -- before the shift went mainstream. It also meant we developed working relationships rather than rigidly-bound responsibilities.

In today's world, that teamwork goes much farther, much faster than a single point of control. Marketer and agency are more often able to be sure they have the same goals in mind, because they were created together, without the need for a formal pitch.

Knowledge/Tech ability
Quoting
Allison Mooney, "Advertisers and brand marketers are entering a brave new world -- one where code is on par with content. The 21st-century ad isn't something to be looked at; it's something to be used." This is a huge paradigm shift, one that requires both new thinking and leadership, as well as requiring either large, traditional agencies to tear down and rebuild their established skills and seniority, or for marketers to engage new agencies.

Plenty of digital agencies say this: We were born digital. But that doesn't mean they're all Gen Y geeks raised with computers, video games, and texting (I myself fit squarely in Gen X). It implies a mindset, an approach, an understanding of how to creatively solve both technical and communication problems. The keyword is
experimentation.

Digital agencies understand "the next big technology" may only be around for a year or two, and it may be something we can't even envision today. (For instance,
this IBM study about the future of advertising done in 2007 doesn't even mention the term "social media" in the executive summary. And we all know it's hard to go through a day without hearing it multiple times only two years later.) But digital agencies are built to handle that reality.

Since we weren't making money off media buys to begin with, and we were trying to make our way into the conversation in any way we could, we helped create the new, better channels in which to engage consumers by restless experimentation. Therefore we have a good feel for why trends become popular, how long the trend will last, and how to be far enough ahead of the technology curve to find success for clients in the space.

The ability to deliver today while experimenting for the future is a good attribute to have when you think about the pace of growth and change in digital marketing.

Pricing/Billing
Plain and simple: Procurement via RFP and retainers isn't the way to client/ agency innovation. That system puts too much pressure on generating "soundbite ideas" and estimated tactics, and not enough focus on content strategy, execution, and rapid adjustment. That system also happens to be the one that most large traditional agencies have been working in (and perpetuating) for decades.

By soundbite ideas, I mean that the traditional pitch has been flipped on its head. Instead of building creative communications on consistent, solid strategy, campaigns are sold by spewing out a tagline and then talking about why it will work. I'd compare the agency review process to the infamous Pepsi Challenge. Sure, a sticky-sweet one-liner will intrigue at first. But you have to think about the taste when you reach the bottom of the can, and how you'll feel after the sugar high wears off.

The digital agency, on the other hand, is called upon and billed by the project, which accomplishes two things in regard to cost:

  • There is no retainer paid during the time when no action is required. The marketer pays for a very specified time and deliverable.
  • It's in the agency's best interest to deliver ahead of schedule. Call it being hungry -- if the agency wants to maximize its own profit and be called upon again, it will exceed both timeline and expectations.

That's not to say there shouldn't be some long-term relationships between marketers and agencies. It's just to say that paying for focused time makes more sense than having people sit around coming up with random ideas to throw at the wall, or being paid to wait for a call.

Speed of response
The three previous attributes all feed into this one: The digital agency is built for rapid concepts, creation, and implementation. As for many digital agencies, this ability was first developed as necessity and -- in this ever-evolving marketing climate -- quickly became an asset.

When the client is a simple phone call from not only the account executive, but also the designer and strategist; when content producers are unencumbered by a rigid creative process or being tied to the media buy as a profit center; when there is an established teamwork vibe with a culture of experimentation -- cultivating creative technologists -- you'll be able to think of your digital agency as an extension of your in-house marketing team. And you'll have found your agency for future success.

John Lane is director of creative Services for Centerline Digital.

Tuesday, November 24, 2009

From Mashable: How Google Wave is Changing the News


  • It’s not too often that legacy media learns a new mass communication tool along with its audience. But that’s exactly what’s going on now because of Google Wave. Although it’s still invitation only and in preview, the real-time wiki collaboration platform is being used by some media companies for community building, real-time discussion, crowdsourcing, collaboration both inside and outside the newsroom, and for cross publishing content.

    Google WaveGoogle Wave may seem familiar to older users of the Internet, who have been using the parts that make up the whole of the platform for years. Wave, however, brings those pieces together cohesively to allow users to share photos, embed videos, and converge other GoogleGoogle applications such asGoogle MapsGoogle Maps and Google Calendar to create customized blocks of user-editable content on the fly. Here are four ways that newsrooms are using Wave.


    Using Waves to Foster Engagement


    redeyetweet

    Using Google Wave allows newsrooms to reach out to their audiences and invite their active participation on news stories. In the process, waves become a vehicle to create an engaged local community who can also play a role in the newsroom. That may redefine how news is gathered, reported and presented to its audience, blurring the boundary between newsroom and community bulletin board.

    Chicago Tribune’s RedEye blog started its first public wave on November 10, and since then it has attracted more than 300 blips. Following that success, Stephanie Yiu, RedEye’s web editor, and Scott Kleinberg, senior editor of digital and print, now lead a half-hour public wave session every day.

    “It’s a lot more live than TwitterTwitter because it’s like you can see people typing and everybody gets to know each other,” she told me. “It’s really about connecting with our readers on a new platform. We’re learning with our readers and moving forward together.”

    RedEye sends out tweets promoting each wave with a link asking Twitter followers (those that have access to Google Wave) to join the conversation. Yiu told me the daily wave is a discussion about RedEye’s cover story. During the last 10 minutes they ask participants for suggestions on how to make the wave better.

    What makes Google Wave so useful is the community building aspect, according to Yiu. “The great thing is once it ends at 11 o’clock, it keeps on going. They keep on talking,” she said. Yiu is hoping it will be a cool way to get feedback, such as movie reviews, from their readers that that they can also run in the RedEye print product, which is something they’re already doing with Twitter.


    Using Waves As ‘Town Squares’


    statesmanwave

    Robert Quigley, social media editor at the Austin American-Statesman, has started two public waves so far. “People are enthusiastic and they want to talk about news. I was surprised how much discussion there was about the news,” he said.

    However, said Quigley, the challenge right now is keeping public waves on topic. If they get more than 50 blips discussion grinds to a halt, reported Quigley. He added that in order for Google Wave to work during a news event, there needs to be the ability to moderate and or easily spin something into another wave and link to it in the first wave to keep it on topic. He stressed Google Wave is in its early stages and in preview, but there’s definitely potential with it, so these are issues that could be addressed in the future.

    “We’ve been looking for years for collaboration with the public in a meaningful way and this could be the tool,” he said.

    Quigley is eager to keep pushing the envelope with Google Wave to see what it possible. He told me, for example, that he wants to try a participant’s suggestion to embed a Google Calendar with links to waves listed within it so users can follow that calendar with the wave schedule. He also hopes to try the map gadget the next time Austin gets hit with an ice storm. He said he would embed a map into a Google Wave and then people could report conditions at their house. Users could edit the map as weather conditions change.

    Google Wave has the potential to become a virtual “town square,” where otherwise separate gadgets applied to content created by journalists and enhanced by the wave’s users can be used to provide an accurate, detailed description of what’s happening locally.


    Wave as a Newsroom Content Planning Tool


    Chris Taylor, online editor at TBO.com, is also the online breaking news editor in charge of planning content for his converged newsroom (which includes the Tampa Tribune, WFLA-TV and TBO.com). Each night he emails a content budget to the deadline team, but he is now also using a daily wave that others in the newsroom can add to, edit, etc. Taylor said there are about 15 people on this wave and he has requested more invites from Google to get more people involved.

    The daily wave accounts for all the content the newsroom knows is coming or is chasing down. There are about 40 stories in a wave and each story gets a paragraph and after each story is a blip. “Anything we can do in a newsroom of this size [to help] the content we produce to keep from falling through the cracks is a plus,” Taylor said.

    When Taylor comes into work in the morning he can immediately get caught up on the status of all items in the newsroom budget by checking the wave. He said reviewing the wave at his desk takes one-tenth the time of having meetings.

    “I think using it for this will get people comfortable with wave, which is my ultimate goal,” he said. “As we get more comfortable with it, we’ll be able to be where our audience is.”


    Turning Blog Posts Into Public Waves


    latimeswave

    Andrew Nystrom, senior producer of social media and emerging platforms at the Los Angeles Times, collaborated with social media reporter Mark Milian on the blog post “How Google Wave Could Transform Journalism” that ran on the newspaper’s web site a couple of months ago.

    Among some of the ideas listed in the post were: collaborative reporting, smarter story updates, live editing, discussing while reading, and a transparent writing process. Nystrom said in an email interview they’re looking at all the potential uses that Milian posited in the blog post. In a case of “eating his own dogfood,” so to speak, Milian even embedded the post as a wave and it has since received more than 350 blips.

    “That experiment was definitely an eye-opener. My understanding of Wave has always been that it’s a valuable tool for small-team collaboration. So to see it succeed as a larger-scale crowdsourcing tool was unexpected to say the least,” Nystrom said by email. “People quickly swarmed the wave and provided a ton of really smart insights. Things we had never thought of.”

    He added that they’ll definitely do more of this and that it’s just a matter of identifying which topics would benefit from collaboration.

    “Ideally, every post would plug into wave because I love the inline commenting system. But I don’t want to flood the ocean,” according to Milian. “When we do another piece on Google Wave, or on something that begs for crowdsourcing, you will definitely see it in Wave.”

Thursday, November 19, 2009

From Mashable: Google Sites just got a whole lot prettier



  • google_sites_templateGoogle Sites, a service that lets you create and collaborate on a simple webpage, as well as embed documents, photos, videos into it, was visually a bland affair…until now.

    GoogleGoogle has created a template gallery for Sites; when you create a new site, you can now select a template which you can further customize according to your needs. Available templates cover a wide selection of specific needs; you’ll find one for schools, weddings, churches, families, clubs, restaurants, projects and more.

    Furthermore, the template gallery is public, and anyone can contribute. Given Google’s popularity, and the fact that Google Sites is a free service, we expect the gallery to be populated with dozens of great looking templates soon. Directions for adding a template to the gallery are here; you can also see an overview of Google Sites Templates in a video below.

Wednesday, November 18, 2009

Social Media: Will it hurt or help your brand?


The past few days, I've been working to get one of our multi-national clients started with their digital strategies. Of course, social media is central to the strategies we've put together for their brands.

Social media cannot be regarded anymore as an emerging channel for marketing communications. It's very much here already. Facebook has already become the #1 site accessed by the Philippines, overtaking Friendster, YouTube, Google, and even Yahoo.

One of most clients' concerns about social media is it opens the brand to channel that allow consumers to talk negatively about the brand. But as I always say, even if there's always a risk that some opportunitistic people flaming your brand online, it's still better to be part of the conversation than be oblivious to it. Because of social media, consumer will talk about your brand, whether you're there or not.

Here's a repost from a blog I follow, Influential Marketing Blog by Rohit Bhargava, about how social media can, in fact, protect your brand rather than damage it.

Enjoy reading!

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6 Ways To Protect Your Brand With Social Media

Just about every week I see an article or have a conversation with a client about the potential risks of social media and how to manage them. Quite frankly, there are many ways that social media can go wrong and cause problems for a brand, and as someone who shares advice on using social media for marketing - I can readily admit that. What I haven't seen as much discussion about is how social media could be used to protect your brand. Not fighting backafter a crisis happens, but proactively as a tool to prevent people from hijacking, corrupting or negatively impacting your brand. What if you were to see social media as a way to prevent these effects instead of a potential conduit to increase them? Here are a few ideas for how you might use social media to protect your brand:
  1. Register domain names and usernames. Among the most long standing of brand protection "techniques" - typically this involved registering branded domain names and ensuring that people couldn't register words or brand terms important to you and then use them without your consent. In the world of social media, where it seems a new site pops up nearly every day, how can you best manage your brand not just on the obvious social networks or popular sites like Facebook and Twitter, but the many sites that are just beginning and might be big one or two years from now? One way is to use services like NameChk or Knowem - which both allow you to check on username availability and bulk register on multiple sites. This doesn't mean you need to use every site, but sometimes just having your own terms registered so no one else can have them is half the battle.
  2. Spot problems/crisis before they happen. By now it is probably not news to tell you that social media can be a great way to track conversations that matter to your brand. More and more companies big and small are realizing that watching the conversation online through real time tools like Twitter or by putting a social media monitoring program in place with a software based solution like Radian6 can help to identify potential issues before they expand into full blown crisis.
  3. See who's copying your stuff. One of the things that can cause major problems for any brand is the ease with which anyone can cut and paste your information into their own site or reformat it for any purpose. This may seem nearly impossible to track when it comes to the vast expanse of the web, but tools like Tynt can help to find content that is being used without your permission. Once you find it, the ideal way to deal with this content is to not go after every "unauthorized" use, but to have a smarter policy to determine whether the use is significantly harming your brand. That way you can avoid going after the customer who illegally used your logo to start their own fan club, and focus on the real usurpers of your brand who are trying to harm it in some way.
  4. Have your own place to respond. If you have ever heard the saying that the best defense is a good offense (or maybe I have that backwards), you'll understand the point of this suggestion. Often when it comes to responding to attacks or negativity in social media, the best way to respond is through your own social media sites. A press release will never be able to counter a blog post. Matching the communications channel puts you on an even playing field with those who might try to negatively impact your brand and gives you a soapbox from which to share your own point of view that can be the most effective way to get your message across.
  5. Get verified and trademarked. More and more social media sites now are allowing real brands to pass through some sort of validation process in order to demonstrate that their accounts are "official." Facebook lets brands protect trademarks and Twitter has their verified accounts feature. In both cases, the sites are allowing companies a way to demonstrate to their audience on that site that the account they have is real and official. Don't underestimate the value of having your official presence on these sites as a way to have trusted interactions with your customers.
  6. Find and support your biggest fans. Through sites like Ning customers can create their own online communities that relate to your brand. These are activities that your customers will likely do anyway, so why not offer them some tools and support for these communities? Doing so will not only help you to protect your brand by having some involvement in what they are doing, but often you can end up with better branded assets if you help because you are not forcing a real fan to go and grab assets from a web search and use them to create a substandard experience.

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